Fringe Season 5 Review “In Absentia” October 5, 2012 Fringe, Reviews Whenever a television show tackles dramatic world change, there is always some time devoted to the shift in morality that occurs as a result of the new world order. This week, Fringe spent a great deal of time looking at the moral ambiguity represented by Etta. In these cases, network shows will always side with the moral high ground because it’s safer and has broader appeal. Regardless of how little sense it tends to make, the bleeding heart will eventually either override the darker tendencies of their compatriots or be proven that their way is the best way. It’s never interesting and often seems ridiculous. Unfortunately, Fringe fell right into that same trap this week. The most disappointing part of the episode was the show’s decision to have Etta let the Loyalist leave. Once again, the idea that this woman whom she has never known, regardless of their relation to one another, can sway her outlook on the world in a manner of two days doesn’t seem credible. Again, I have to wonder how this would play out over the course of a standard 22 episode order instead of a seemingly rushed 13. I’m beginning to see that it’s just too hard to establish a world, introduce new characters, and build relationships in a half-season order. More time was needed for these stories. As a result, the rushed nature of these storylines take credibility from the characters, and make new characters like Etta far less interesting. I think that point surprised me the most of all: Networks typically stray from moral ambiguity. Networks want to pull in the broadest audience possible, and you can’t pull them all in if the “good guy/gal” on your show is icing other people in cold blood. If they get killed in the line of action, that’s fine, but the rule tends to be that you can’t kill someone if they are unarmed and pleading for their life. But with the definite end date in place, Fringe should feel free from those trappings. Clearly, they want to invest a lot in this relationship with Olivia and Etta. However, the relationship becomes infinitely more interesting, and Etta becomes far more compelling, if she drives the Loyalist out into a field and shoots him. If they didn’t want to do that, they could have at least had Olivia walk into a trap set by the Loyalist with the address of his son. I would take anything that would allow the two characters (and the audience) to see that maybe the person who has been living in the world for the past 21 years knows a little more about the current state of affairs than the woman who spent that entire period of time in amber. It was an opportunity to do something truly interesting, but Fringe opted for the easy way out. Clearly, the show only wants to have our good guys save the world and put their family back together. That’s fine, but why not swing for the fences in your last at-bat? Though the main thrust of the episode was frustrating for me, it was encouraging to see the fun return to Fringe. As usual, the show leaned heavily on John Noble to carry them through the non-Olivia parts of the episode with his typical blend of whimsical humor and below the surface intensity. A lot of parts of this episode played like one of those old school Fringe episodes: Walter does all sorts of crazy science things in the Harvard lab that aid the Fringe team in their assault on a building, group of people, etc. Still, I can’t help but notice how poorly the Observers guard everything. Those guys really are heavily reliant on their ocular scans. Also, with all of the videos that they trotted out as part of their viral campaign before the season, how are the Observers unable to recognize Etta or Peter? As always, the devil is in the details, and Fringe doesn’t have a good handle on them right now. It’s a fun romp through an intriguing idea, but there are just too many inconsistencies to ignore. What did everyone else think about tonight’s Fringe? Anonymous You forget these aren’t just her parents but her Idols. In Letters in transit we saw how much the Fringe team was idolized by the rebels. You’ve got your mother who is also your idol standing in front of you and you want to be worthy in her eyes. Olivia represents the world Etta wants to restore and you don’t save humanity by killing half of it. In a way Etta acts just like the rest of her family. At one time or another Walter, Peter and Olivia have shown relentless determination and resolve. We’ve seen that both Walter and Peter can be cold blooded and ruthless. Plus with Fauxlivia we see that Olivia could be ruthless if circumstances were changed in her life. Anonymous You make some good points there regarding her parents as her idols. Still, she suddenly has a change of heart after torturing the guy out of most of his life and nearly bursting into an Observer exam room to unload when she saw Simon’s head? I just wish we had more time to let these things breathe. I don’t think we have a good enough understanding of Etta yet to really grasp what it is she’s about. I needed more before moments like tonight come along. I still think that most of it boils down to the fact that they don’t have any time to develop these relationships in full. ptjackson You are spot on about Walter. BTW, you mentioned licorice in your preview tease – but I am having trouble remembering a revelation about that – care to elaborate for me? Walter and Astrid are the high points of these episodes for me, and truthfully, the thing with the eye had me going – kind of flashed back to NCIS and the eyeball that was mailed to them.. ewwwww. So glad it was just pig’s eyes they were using. Anonymous As Walter stares into the amber for the first time, he notices a bag of licorice setting on one of the tables and remarks “When did I switch to grape?” As startling of a discovery as any other that we have seen on Fringe. ptjackson Ah – I do remember that comment, I just could not see what he was referring to – thnaks for clearing that up for me – and, yeah, when did he switch? LOL…… Moronservices I just loved the throw to The Princess Bride with the fire swamps, in the basement of the Harvard building.