THE CAPE “Dice” Review

The Cape

THE CAPE, Season 1, Episode 5 “Dice” – This installment of the “THE CAPE” was different; we didn’t even see our hero decked out in costume until more than halfway through the show.

In “Dice,” Mena Suvari took the spotlight as Tracey, a savant whose spent her years since being a little girl planning to kill Peter Fleming – Chess – who killed her father. And Fleming getting ready to market a prediction module based on her brain patterns, called T.R.A.C.E. (pronounced like her name) has her all the more over the edge.

The attempts on Fleming’s life escalate well, starting with just the the exploding dice at a gambling event. Enter The Cape and Orwell, who does more this time out that just feed The Cape info. The break-in to Tracey’s apartment was needed because it showed out psychotic she was, with numbers, formulas and phrases written all over the walls (including “God is the Dice” on a mirror), plus photos and news articles and plans for Fleming’s demise.

When The Cape stops her second attempt on Fleming who’s having dinner with her and is so pompous (more good character reveal) he doesn’t believe she’ll kill him, he amused at his savior. The calculated destruction of an electrical system to bring a chandelier down was like a Rube Goldberg device. Then it gets better with the plan to kill Fleming by blowing up his ARK Corp building.

Scenes of The Capehaving to learn high wire from his carnival friends were short, but effective. Also good was not just stopping Tracey, but Orwell clocking her as payback for a punch previously in the apartment, plus The Cape, once clearing the building, blowing up Fleming’s T.R.A.C.E. work.

There were a few scenes with Faraday’s family of his son reading The Cape comic, but they seemed just a reminder that they’re around. We didn’t need it. But the ending with Fleming and then a snake-eyed version left us hanging, wondering if he has a twin, a split personality, or why the snakey eyes. Then another ending, Max revealing to us he knew Faraday would arrive and need to be trained as The Cape didn’t impact as hard; the scenes should have been reversed.

One more thing: a great cameo by legendary Elliot Gould as Fleming’s doctor; maybe we’ll see more of him.

Still, all in all, “Dice” was a solid episode of “The Cape,” which is offering the right twists and turns to keep one guessing about outcomes. Next week, it looks like a techno-greek tracker-killer is brought in by Fleming to take out the The Cape.

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  • Anonymous

    I really enjoyed this episode. Best one yet.

    And this is a great leap in the right direction towards what I want to see from Orwell. This is a character I could fall in love with.

  • Anonymous

    That was a really good episode. Some dialog flaws aside, I really enjoyed it.

    It was GREAT seeing Orwell doing cool stuff. I cheered when Orwell caught up to Dice, that was really satisfying after seeing the poor gal get pistol whipped…

  • Anonymous

    I liked this episode of The Cape, and I thought all the split-screens and momentum showed some nice new direction; the focus on Chess as a character was good, too, and Dice made for a cool new character.

  • Anonymous

    Fleming’s character just got so much more creepy/interesting. I definitely saw a lot of Multiple Personality Disorder in him. The talk of his “old friend”, and his last scene… I think that is where they are heading. It will be very interesting if it’s true.

    Dice was a neat character. At first I wasn’t sure about the seeing into the future thing in the episode, it just seemed out of place. But looking at it like a comic book, it’s fine.

    Vince just can’t catch a break. Having to work with Fleming, then now having to save his life… twice, it’s gotta hurt.

  • Anonymous

    Finally we got a useful Orwell. We saw her doing some investigative work, saw her tapping into security cameras. I thought that was cool. I laughed at her zapping the guy. Twice. Poor guy. :lol: And she got some revenge! Dice slapped her with a gun, so she repaid the favour by punching her, and hand-cuffing her in the stairwell.

    This is the Orwell I’ve been waiting to see. It’s nice that the writers finally work up! I’d like to see this Orwell for the rest of the season.

    Summer Glau rules!

  • briang9581

    In the end credits, they listed a 12 yr old Tracey, Mena Suvari took over the role of an adult Tracey, 10 years later. I’m sorry, but I found her more convincing as a psychopathic fortune-telling savant, than as a 22 year old. She’s actually 31, and looks it. Belief can only be suspended for so long, much like the hypnotized Cape, in this episode.

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